Since moving to Boston a little over a year ago I’ve been scouting out art communities. I have my name on several studio wait lists but am a year later, still waiting. I’d recently come across a listing for open studios in the Boston area so I thought I’d give it a go. I ventured down to Southy on the first day of the Fort Point Open Studios. After poking around a bit I started to get my bearings, and realized that it’d be best if I looked out for the red balloons. I started backwards which I later realized was a poor choice, even armed with a map many of the studios were difficult to find. I believe in total I maybe managed to visit 7 or 8 studios, toward the end of my journey I was a little disoriented and regret not being able to find the group show. From talking with the few artists I did meet it seemed that the art community was starting to fade. Not to say they weren’t excited about the work they were making, just that many felt that the tight knit community of artist over the past decade had dwindled in numbers. A few artists were even being evicted from the buildings to make room for luxury apartments and other construction projects.
One of the first people I met was Judith Uehling,
a print maker and painter, who is influenced by found photographs, documents, and postcard and the relationship they share with memory. Judith has been working solo in her studio for several years and has a gift for layering canvas with vivid colors and tactile surface textures. I was a big fan of her large canvas works on display, they had a strong horizontal flow and a great use of white space. I spoke with her for quite a few minutes about her work and the dynamics of the art community before heading off to the next set of studios.
A few minutes and several set of stairs later I bumped into Jessica Jordan, who was graciously opening up her friend Andy’s studio while he was commuting from work. She is a contemporary furniture designer and a fan of re-purposed antique findings. Many of her works incorporated recycled pieces, everything from discarded scrap wood to iron wheels she speculated may have come from antique luggage carts. I really enjoyed the way that many of her pieces revealed themselves by opening and unfolding in intricate ways. She had a particularly wonderful coffee table that slid out to double it’s original size, apparently the client wanted something small for city living but versatile for accommodating guests.
Her friend Andy’s work was interesting too, he had been working all this year on a state animal series. Choosing different state birds and animals and contrasting them with bold patterned backgrounds. I met him briefly on the way out, and would have liked to stay longer to get the skinny on which animal belonged to which state, but the time was winding down and I had only seen a couple of studios.
I pushed myself up another couple flights and meandered into a bright ceramics studio. The space was quite large and it was filled wall to wall with ceramic lamps, plates, cups, and other various dishes. Jill Rosenwald has a bubbly personality an clean bright design sense. Short on time I powered through, impressed but getting fatigued from climbing several flights of stairs. I ventured into one last studio, a still-life painter’s before getting disoriented looking for the group show, with 10 minutes to spare I called it a night. All in all it was a good art seeking adventure, I wish the pulse of this community was a bit stronger but with the state of the economy the outlook for growth is bleak. I was however impressed with the success of fine craft, coming from a metals and sculpture background it was refreshing to see craft trucking on along side more traditional fine art and still managing to shine.